Fleur De Lys Hair Wellness Clinic, K Village — white reception with marble consultation counter, sculpted plaster walls and backlit product niches, by Gratitude Design

Fleur De Lys Hair Wellness Clinic – K Village

Hair clinic interior design at Fleur De Lys in Bangkok, a fluted cream reception wall with a brass logo above a marble-topped desk and bouclé chairs

Hair clinic interior design for a non-surgical hair restoration practice, arranged so a patient can be seen, assessed and treated without meeting another patient on the way.

Hair loss is treated slowly. A patient comes back every few weeks for the best part of a year, sits under a device for forty minutes at a time, and would rather not be recognised while doing it. So the plan is written as a sequence of withdrawals: a bright reception held at the glass, a daylit lounge behind it, curtained bays that close, then a corridor of doors that never lets one patient see into another’s room. The palette stays cream the whole way in, so each remove reads as quieter rather than darker.

Project facts

  • Location — K Village, Sukhumvit 26, Bangkok
  • Typology — Hair wellness and non-surgical hair restoration clinic
  • Scope — Hair clinic interior design, bespoke joinery, FF&E
  • Area — 160 sq m
  • Completed — 2025
  • Client — Fleur De Lys Hair Wellness Clinic
  • Lighting Designer — Ligthenna
  • Images — Panoramic Studio
Fleur De Lys hair clinic shopfront at K Village, a cream plaster wall with a brass sign and a full-height glass entrance opening onto the reception
The frontage gives away almost nothing. One plane of cream plaster, a brass sign and a single portrait screen, with the glazing set back so the entrance reads as a recess rather than a shop window. From the walkway you see the reception desk and nothing behind it.
Clinic waiting lounge with a gold illuminated ceiling disc, blue and cream tub chairs, brass and marble side tables and a travertine chequer floor
The lounge is pushed out to the window so the wait happens in daylight, against the trees on Sukhumvit 26. A single gold disc dropped into the ceiling holds the room together and, after dark, becomes the warmest light in it — which matters in a clinic that stays open until ten.
Private treatment bay lined in cream padded leather panels with a taupe reclining armchair, a marble ledge and a slim brass floor lamp
The treatment bays sit behind curtains off the lounge, each lined in padded leather so the room absorbs sound as well as light. A patient can sit out a forty-minute session here without being visible from the corridor, which is the whole argument for the plan.
Clinic corridor in cream with brass room plates, continuous cove lighting and a curtained opening at the far end
Treatment rooms are set along one corridor with brass plates and a curtain closing the end, so a door never opens onto another patient’s sightline. The cove is run continuously rather than broken into downlights, because someone walking this route tends to be looking up.
Scalp treatment and wash bay with two brown leather reclining wash chairs, oak mirror units and branded cushions behind a grey curtain
The wash bay is the one room allowed to break the cream. Oak, a deep brown leather and the clinic’s own cushion put warmth where a patient lies back with their head in a basin. The mirrors are set at the chair rather than across the wall, so nobody has to watch themselves mid-treatment unless they want to.

Hair clinic interior design in Bangkok

Hair clinic interior design in Bangkok sits awkwardly between two building types. The licensing is medical — minimum room dimensions, wipeable finishes, hand basins where an inspector expects to find them — but what the patient is paying for is closer to a salon. Build it as a clinic and it feels clinical. Build it as a salon and it will not open. The work is in satisfying the first brief so completely that only the second one is visible.

The mirror is the difficult object. In a hair clinic it is both the diagnostic instrument and the thing a patient is least keen to face, particularly at the start of a programme. We put mirrors where they do work — at the wash chair, in the consulting room — and nowhere else. There is no mirror in the lounge and none in the corridor, so the walk in and the wait are not spent auditing the problem.

Light has to do two jobs that no single fitting can do. Assessing a scalp needs neutral, high colour rendering light directly overhead, because density is read in the shadow between hairs. A patient sitting in the lounge afterwards wants light with warmth in it and nothing above the crown. Two circuits, two colour temperatures, and a strict rule about which one goes where.

Water changes the specification. A wash bay introduces drainage, hot supply and daily humidity into a plan that is otherwise dry, so the floors are large-format porcelain laid to falls you are not meant to notice, and the joinery around the basins is lacquered rather than veneered. Anything within reach of a trolley has to survive being wiped with alcohol several times a day.

The commercial case is a question of dwell time. Hair programmes are long and repetitive — a patient may be in the building for over an hour, most of it seated and unattended — so the number of bays matters more than the number of consulting rooms, and each bay has to be comfortable enough that the next appointment gets booked before they leave. Retail sits at the front where it is passed twice, consumable storage is planned at the same time as reception, and the whole 160 square metres is set out so two staff can run it on a quiet afternoon.

Planning a clinic, spa or wellness space? Talk to Gratitude Design about your floor plate, your licensing requirements and your opening date.

Related work

More clinic and wellness interior design from the studio: MEGA Clinic – G Tower and Garmin Shop SQ1. The full record is on the portfolio, and the studio’s approach to clinic and wellness interior design is set out under clinic and wellness interior design.

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